Gig Review: Hot Club de Paris/Right Hand Left/Carson Wells (June 23)
- July 1st, 2010
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Bizarrely, I’ve spent more time in the first six months of this year in Warehouse (formerly Moshulu) than. I ever had before. Not that that would be hard, admittedly. I’d only been once back in my student days, and had somehow managed to never attend a gig there until this year. Not quite sure why.
Having seen The Twilight Sad there earlier in the year, I knew it wouldn’t be long before I was back. Indeed, I was proved right as I was tempted back by what looked on paper a decent lineup of Carson Wells, Right Hand Left and headlining Liverpudlians, Hot Club de Paris.
I’d been assured I needed to see Hot Club, but as usual waited until afterwards to listen to their recorded output, instead letting the live experience make my mind up for me.
Carson Wells are another of my favourite local bands but I’d only seen them at Drummonds before, so it was interesting to see how they made the transition to the larger Warehouse. Quite easily as it happens. I must admit that they’re not the kind of thing I normally listen to, but Huw’s punchy vocals grab you, just staying the right side of the line marked “Shut up! You’re too shouty!”
What strikes me more this time than at Drummonds is how well Ross’ more intricate guitar work comes across. With Dallas holding things together with his usual reliable sticksmanship, it’s a winning combination.
Sadly, the same can’t be said for Right Hand Left. I’ve seen them quite a few times as they’ve been on the same bill as mates’ bands etc, and I really enjoyed their set at Wizard last year.
Indeed, they seemed to come across well at the launch party for recent single Lipstick (which, by the way, is a tune), but this performance had me wondering if I’d been imbibing a little too much when I last saw them.
Lipstick was the opener and it came across reasonably well, but unfortunately for the band their set quickly descended into a one-paced mediocrity I wasn’t really expecting of a band who are fairly well established in the city. Indeed, a few people I spoke to left during their set, to watch the football and epic tennis match in the pub.
Thankfully, most had returned by the time Hot Club appeared and delivered their slightly deranged indie rock. I do love a band you can dance to, and Hot Club are undoubtedly one of these.
Technical issues beset opening number “I’m Not In Love and Neither Are You”, a dodgy buzzing coming from the bass and a broken drum pedal affecting the delivery, but onwards our heroes ride.
It’s guitarist Matthew Smith rather than frontman Paul Rafferty who delivers much of the banter between songs, and he’s clearly a dab hand, telling the crowd how he’d fallen over four times during the day, proclaiming Aberdeen the “slippiest city ever”. Later he would tell us how a friend impregnated his (the friend’s) mother by masturbating in the bath. “Not really, we’re joking” he clarifies.
The sense of humour in their on-stage demeanour is matched by the songs themselves, the titles telling half the story. Among those on show tonight are “Free The Pterodactyl 3”, “Hey! Housebrick”, and “Biggie Smalls and the Ghetto Slams”.
Of these, it’s “Hey! Housebrick” that grabs my attention most, lyrically at least. “Hey! Housebrick are you sitting in a building, are you resting in a hand, are you heading for a windscreen?” just tickles me, somehow. The other highlight for me as a newcomer to the band was “Shipwreck”, though this time it was the guitar riff that grabbed me by the balls.
Having a listen back on Spotify later, it struck me that as well as the obvious Scouse and indie influences, Hot Club De Paris also have much in common with the likes of Danananaykroyd, putting a nice twist on their sound.
Check out:
Carson Wells: http://www.myspace.com/guyguyrock
Right Hand Left: http://www.myspace.com/righthandleft
Hot Club De Paris: http://hotclubdeparis.com/



